Great news - the March 1 issue of Booklist is going to have a Women's Fiction spotlight! I'm really excited by this, not least of all because I contributed the 3 feature articles to the issue spotlight: "Rebecca's Rules: Defining Women's Fiction"; "Top 10 Women's Fiction: 2012"; and "Benchmark Women's Fiction Authors".
I'll post links to the features here on the blog once they are live and ready to go, beginning March 15th. In addition, this encourages me to post more links to Booklist reviews of Women's Fiction. So far, I've just been posting links to my own reviews, but I think it's time to start posting previews of other Booklist reviews. Yay!
Wednesday, February 20, 2013
Thursday, February 14, 2013
All the Lonely People by Jess Riley
I've been a huge fan of Jess Riley since her first novel, Driving Sideways made me laugh out loud. Come on, what Wisconsin girl wouldn't love a book where one of the characters sings the Menards jingle?!?! She does it again in All the Lonely People by referencing the Hamm's beer commercials. (I also really, really dig her politics. I'm fairly certain if we ever met, we'd be besties in no time.)
As an "expert" on women's fiction, one of the things I talk about in my books and in the programs I present to librarians is the fact that the major appeal factor in women's fiction is a sense of recognition. When a reader picks up a women’s fiction novel, she is looking for a sense of recognition - feeling as though they are that character, they know that character, or they understand just what that character is going through. From moments of sorrow to joyful celebrations to “thank goodness that never happened to me” – it’s pleasurable and comforting to escape into a story that you can connect with.
Riley accomplishes this in spades. Her characters are realistic, the way they talk and the things they talk about are true to life, and the situations they find themselves in could happen to just about anyone. For me personally, I loved this story because it was hard for me to believe that Riley hasn't met one of my brothers and based the character Clint on him. I also just about died when Jaime turns to her husband (after he supports her on a crazy decision) and says "You're a good man, Charlie Brown". I say that on a regular basis to my husband and I wouldn't have guessed that anyone else would make that inside joke. If she happens to have characters in her next book flap their hands to "shoo the children" when "Fly Like an Eagle" by the Steve Miller Band comes on the car radio, then I'll know for sure she is somehow stalking my every move for writing fodder.
I started following Riley's blog after discovering Driving Sideways, and was dismayed when she announced a few years ago that her second novel wasn't optioned by her publisher. She was undeterred though, and eventually decided to publish it as an e-book (as well as print on demand) via CreateSpace on Amazon. (Go! Get it now! You won't be sorry!)
Here's the "official" review I wrote for work. I'm glad I have this outlet to gush more informally.
When her mother dies of cancer, Jaime tries to keep her family intact. Trouble is, they sure put the funk in dysfunctional—her brother is a self-centered blowhard; her sister is an ice queen who has distanced herself emotionally and physically; and they haven’t seen their father since he left the family when they were just kids. Jaime’s husband, Erik, doesn’t have it much better; his father is sitting in a nursing home and doesn’t know who Erik is. After a disastrous Thanksgiving dinner, Jaime decides to advertise on Craigslist for a new family for the holidays. She gets... (read the rest of the review for free at Booklist Online)
As an "expert" on women's fiction, one of the things I talk about in my books and in the programs I present to librarians is the fact that the major appeal factor in women's fiction is a sense of recognition. When a reader picks up a women’s fiction novel, she is looking for a sense of recognition - feeling as though they are that character, they know that character, or they understand just what that character is going through. From moments of sorrow to joyful celebrations to “thank goodness that never happened to me” – it’s pleasurable and comforting to escape into a story that you can connect with.
Riley accomplishes this in spades. Her characters are realistic, the way they talk and the things they talk about are true to life, and the situations they find themselves in could happen to just about anyone. For me personally, I loved this story because it was hard for me to believe that Riley hasn't met one of my brothers and based the character Clint on him. I also just about died when Jaime turns to her husband (after he supports her on a crazy decision) and says "You're a good man, Charlie Brown". I say that on a regular basis to my husband and I wouldn't have guessed that anyone else would make that inside joke. If she happens to have characters in her next book flap their hands to "shoo the children" when "Fly Like an Eagle" by the Steve Miller Band comes on the car radio, then I'll know for sure she is somehow stalking my every move for writing fodder.
I started following Riley's blog after discovering Driving Sideways, and was dismayed when she announced a few years ago that her second novel wasn't optioned by her publisher. She was undeterred though, and eventually decided to publish it as an e-book (as well as print on demand) via CreateSpace on Amazon. (Go! Get it now! You won't be sorry!)
Here's the "official" review I wrote for work. I'm glad I have this outlet to gush more informally.
When her mother dies of cancer, Jaime tries to keep her family intact. Trouble is, they sure put the funk in dysfunctional—her brother is a self-centered blowhard; her sister is an ice queen who has distanced herself emotionally and physically; and they haven’t seen their father since he left the family when they were just kids. Jaime’s husband, Erik, doesn’t have it much better; his father is sitting in a nursing home and doesn’t know who Erik is. After a disastrous Thanksgiving dinner, Jaime decides to advertise on Craigslist for a new family for the holidays. She gets... (read the rest of the review for free at Booklist Online)
Tuesday, September 25, 2012
Women's Fiction: An Overview (Program Notes)
I was invited to the St. Charles City-County Library District to give a presentation on Women's Fiction. Here are the slides from the program, and a copy of the handout. Enjoy! Feel free to use any of the information contained within, all I ask is for credit. Thanks!
Friday, August 31, 2012
The Next Best Thing by Jennifer Weiner
Visibly scarred from a childhood car accident that killed her parents, smart and
solitary Ruth has decided that she can’t depend on anyone but herself and her
young-at-heart grandmother, Rae. After a potential workplace romance goes sour,
Ruth, an L.A. screenwriter, leaves her television gig and freelances for a
while, helping teens write college-entrance essays and ghostwriting online
dating profiles. When her pitch for a sitcom gets picked up, she ventures back
to the world of television only to find that her vision—a comedy featuring a
quirky Everygal and her sassy grandma—gets derailed at every turn, from bad
casting to bawdy rewrites. Weiner herself has... For the full review, see Booklist Online. Thursday, July 12, 2012
Reading Women: A Book Club Guide for Women's Fiction
Any book-group leader who ever despaired of finding a discussable romance title at the suggestion of a member need fret no longer. Hill has compiled an admirable list of women’s fiction, chick lit, and romance titles suitable for discussion. Women’s fiction, as defined by Hill, is an umbrella term encompassing titles that appeal to female readers by addressing the important issues in women’s lives. The understated yet standout feature of this resource guide is the blend of titles with an emphasis on the humor, lightheartedness, and hope found in many women’s-fiction novels—no Oprah’s Book Club literary depression here. Hill has thoroughly examined each title and provided title-specific discussion questions (beware that some contain subtle spoilers) that facilitators will find quite valuable. Each entry also lists brief biographical background, a short annotation, website and readers’-guide URLs, and read-alikes. The majority of the 90 titles listed...For the full review (contributed by Kaite Mediatore Stover), see Booklist Online.
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